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After Two But Before Five

Hillstomp

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  Name Artist Time Price  
1
Goin' Down South Hillstomp 3:30 $0.99 View In iTunes
2
NE Portland 3 A.m. Hillstomp 4:15 $0.99 View In iTunes
3
Mr. Charlie III Hillstomp 3:20 $0.99 View In iTunes
4
Lucy's Lament Hillstomp 2:52 $0.99 View In iTunes
5
Dark Clouds A- Risin' Hillstomp 5:17 $0.99 View In iTunes
6
Roustabout Hillstomp 4:19 $0.99 View In iTunes
7
Rollin' and Tumblin' Hillstomp 4:16 $0.99 View In iTunes
8
Poor Black Mattie Hillstomp 3:07 $0.99 View In iTunes
9
You Done Told Everybody Hillstomp 5:33 $0.99 View In iTunes
10
Shake 'em On Down Hillstomp 4:19 $0.99 View In iTunes
11
Landlord Blues Hillstomp 6:05 $0.99 View In iTunes
12
Stewball Hillstomp 3:11 $0.99 View In iTunes

Album Review

Recorded live over two nights in August 2006, After Two But Before Five offers a snapshot of a blues-rock band performing before an appreciative audience. A small unit, Hillstomp feature the electric guitar work and vocals of Henry Kammerer along with percussion and vocals of John Johnson and, on occasion, the harp work of Philip Guttman. Even with this small lineup, Hillstomp are capable of raising the volume on songs like the opener, "Goin' Down South," and its follow-up, "NE Portland 3am." While Kammerer switches between straight electric ("Lucy's Lament") and slide guitar ("Mr. Charlie III") and Guttman augments the soundscape of songs like "Rollin' and Tumblin'," the main dish on the menu remains swampy electric blues. Hillstomp work well as a unit and perform these songs with passion. Nonetheless, the band seems limited in both the narrow range of material it relies on and murky vocals. The songs are simply too similar, relying on a steady groove that seems to stand still at times (very much a "hill stomp"). The murky vocals reinforce these qualities. For fans who are already familiar with the band, After Two But Before Five will work as a dedicated memento; for blues-rock fans unfamiliar with the band, the album will lack the necessary spark to separate Hillstomp from many other electric blues bands. ~ Ronnie D. Lankford, Jr., All Music Guide

Customer Reviews

Live, its where it's at!
     

These boys know what they are doing, or at least they sound like it! I don't usually like a live album as much as a studio album, but in Hillstomp's case I must say, they have proven me wrong. This record is phenomenal, the sounds are full, clear, and big. It's almost as good as seeing them in person (although, you will never be able to replace a live show). This is yet another Hillstomp record that should be in everyone's collection.

Can't Be Satisfied
     

Check out Can't Be Satisfied from "The Women Who Ended the World". I agree that this album has murky vocals and a repetative rythm but there are some gems you should get from their albums.

Biography

Formed: 2001 in Portland, OR

Genre: Acoustic Blues

Years Active: '00s

When Hillstomp members Henry Kammerer and John Johnson met in 2001 in Portland, OR, at one of Kammerer's solo shows, Johnson had never been that interested in the blues. He was, however, interested in the self-taught slide guitar music that Kammerer was playing, and though he had studied jazz saxophone in school and was playing bass for local alternative rock bands, he agreed to play drums with Kammerer. Using a homemade kit, Johnson, with Kammerer on vocals and guitar,...
Full Bio
After Two But Before Five, Hillstomp
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