Another Day On Earth
Brian Eno
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| Name | Artist | Time | Price | ||
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1
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This | Brian Eno | 3:33 | $0.99 | View In iTunes |
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2
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And Then So Clear | Brian Eno | 5:49 | $0.99 | View In iTunes |
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3
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A Long Way Down | Brian Eno | 2:40 | $0.99 | View In iTunes |
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4
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Going Unconscious | Brian Eno | 4:22 | $0.99 | View In iTunes |
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5
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Caught Between | Brian Eno | 4:25 | $0.99 | View In iTunes |
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6
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Passing Over | Brian Eno | 4:25 | $0.99 | View In iTunes |
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7
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How Many Worlds | Brian Eno | 4:47 | $0.99 | View In iTunes |
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8
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Bottomliners | Brian Eno | 3:59 | $0.99 | View In iTunes |
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9
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Just Another Day | Brian Eno | 4:21 | $0.99 | View In iTunes |
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10
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Under | Brian Eno | 5:19 | $0.99 | View In iTunes |
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11
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Bone Bomb | Brian Eno | 3:09 | $0.99 | View In iTunes |
| Total: 11 Songs |
Album Review
Finally bored with ambient music, a genre he pioneered in the 1970s, pop polymath Brian Eno emerged with Another Day on Earth, his first solo recording of "conventional" songs since Another Green World. From the rhythm track of opening song "This," the sound is unmistakable. A quirky hook covered in layers of atmosphere and a bouncy loop, it's a smart little tune with additional guitars by Leo Abrahams. Lyrically, Eno's process is poetic, employing not only his own strategies, but a computer generating words as well. At three-and-a-half minutes, it's a fine pop song, albeit one that would never get played on the radio. "And Then So Clear" is more evocative of Eno's work with Daniel Lanois, utilizing a very simple loop adorned with sparse guitars while keyboards pulse softly as a completely treated human voice paints a landscape both exterior and interior. "A Long Way Down," is pure mood, a tense, taut mood offered by electric piano, spectral keyboards imitating strings, and the layered guitars of Steve Jones and Abrahams. Eno multi-tracks his voice across the angular melody, and it slips and falls out more than it flows. And that's a basic problem with Another Day on Earth. Once again, despite trying to work with song forms and structures, they feel tossed off, half-baked. "Going Unconscious" isn't so much a song as an ambient soundscape with spoken word accompaniment by Inge Zalaliene. "Bone Bomb" is the same. "Under" feels like a demo rhythm track with a lyric draped loosely over it. But there are some fine moments too, such as "Passing Over" with Jones guitar cruising over the tune like a spaceship and Eno's sung lines intersecting at (mostly) just the right moments. "How Many Worlds" is almost a child's ditty full of existential questions. Another Day on Earth is a re-entry for Eno, who has the tremendous pressure of always trying to do something new. Nothing here feels new, but so what? If lightweight, it is often pleasant and amusing, if not utterly engaging. Fans will want to seek it out to see what the brainy one has been up to, but those just coming around should go to the back catalog first.
Customer Reviews
It's fantastic.
I'm happy to hear his voice and sublime lyrics again.
Disappointing
Legend has it that Eno pulled his "My Squelchy Life" LP because he was frustrated by the passage of time between its creation and the record company's scheduled release. So if "Squelchy" was past its aesthetic sell-by date, what is this about? "Under" was released in 1992 (14 years ago!) on the "Cool World" soundtrack and again on Eno Box II. And here it is again, with the same damn tape drop-out. "This" is a fine single reminiscent of "Wrong Way Up," but the rest seems barely there, especially lyrically. "How Many Worlds" repeats the question "how many" over and over like a child on a long car trip; yet the follow up, "Bottomliners," calls the accountants of the world to task. My bottom line? Stale.
Great Collection of Songs
I really enjoy listening to this album. Many of the songs are a bit melancholy, but they perfectly fit my mood sometimes. I enjoy listening to Brian Eno's lyrics. He seems to use the words of the song as another instrument sometimes with the sounds of the words being more important than their actual meaning. However, other songs have a pretty clear political message.
I would compare the sound of the album to some of the Talking Heads work. I also think this album is a good followup to Brian Eno's album Nerve Net. If you enjoyed the mood of that album then you'd probably like this one as well, although the music is a bit more subtle this time around.
Biography
Born: May 15, 1948 in Woodbridge, Suffolk, England
Genre: Electronic
Years Active: '70s, '80s, '90s, '00s
Top Albums and Songs by Brian Eno
| Name | Album | Time | Price | ||
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1
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Strange Overtones | Everything That Happens Will Happen Today | 4:16 | $0.99 | View In iTunes |
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2
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An Ending (Ascent) | Apollo: Atmospheres & Soundtracks | 4:26 | $1.29 | View In iTunes |
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3
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Baby's On Fire | Here Come the Warm Jets | 5:19 | $1.29 | View In iTunes |
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4
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Miss Sarajevo | Pavarotti & Friends: Together for the Children of Bosnia | 6:22 | $0.99 | View In iTunes |
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5
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Needles In the Camel's Eye | Here Come the Warm Jets | 3:11 | $1.29 | View In iTunes |
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6
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One | Pavarotti & Friends: Together for the Children of Bosnia | 5:06 | $0.99 | View In iTunes |
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7
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Here Come the Warm Jets | Here Come the Warm Jets | 4:04 | $1.29 | View In iTunes |
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8
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Turandot: Nessun Dorma! | Pavarotti & Friends: Together for the Children of Bosnia | 2:57 | $0.99 | View In iTunes |
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9
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Under Stars II | Apollo: Atmospheres & Soundtracks | 3:22 | $1.29 | View In iTunes |
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10
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Dead Finks Don't Talk | Here Come the Warm Jets | 4:19 | $1.29 | View In iTunes |
- $9.99
- Genres: Rock, Music, Classical, Avant-Garde, Prog-Rock/Art Rock, Adult Alternative
- Released: Jun 14, 2005
- ℗ 2006 Opal Music Inc.

