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Out of Exile

Audioslave

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Open iTunes to preview, buy, and download songs from Audioslave

  Name Artist Time Price  
1 Your Time Has Come Audioslave 4:15 $0.99 View In iTunes
2 Out of Exile Audioslave 4:48 $0.99 View In iTunes
3 Be Yourself Audioslave 4:38 $0.99 View In iTunes
4 Doesn't Remind Me Audioslave 4:15 $0.99 View In iTunes
5 Drown Me Slowly Audioslave 3:53 $0.99 View In iTunes
6 Heavens Dead Audioslave 4:36 $0.99 View In iTunes
7 The Worm Audioslave 3:56 $0.99 View In iTunes
8 Man or Animal Audioslave 3:52 $0.99 View In iTunes
9 Yesterday to Tomorrow Audioslave 4:33 $0.99 View In iTunes
10 Dandelion Audioslave 4:38 $0.99 View In iTunes
11 #1 Zero Audioslave 4:59 $0.99 View In iTunes
12 The Curse Audioslave 5:09 $0.99 View In iTunes
Booklet Digital Booklet - Out of Exile Audioslave Album Only View In iTunes

Album Review

Given that most supergroups last little longer than a single album, it was easy to assume that Audioslave — the pairing of Soundgarden vocalist Chris Cornell and the instrumental trio at the core of Rage Against the Machine — was a one-off venture. That suspicion was given weight by their eponymous 2002 debut, which sounded as if Cornell wrote melodies and lyrics to tracks RATM wrote after the departure of Zack de la Rocha, but any lingering doubts about Audioslave being a genuine rock band are vanished by their 2005 second album, Out of Exile. Unlike the first record, Out of Exile sounds like the product of a genuine band, where all four members of the band contribute equally to achieve a distinctive, unified personality. It's still possible to hear elements of both Rage and Soundgarden here, but the two parts fuse relatively seamlessly, and there's a confidence to the band that stands in direct contrast to the halting, clumsy attack on the debut. A large part of the success of Out of Exile is due to the songs, which may be credited to the entire group but are clearly under the direction of Cornell, sounding much closer to his past work than anything in Rage's catalog. Even the simple riff-driven rockers are tightly constructed songs with melodies and dramatic tension — they lead somewhere instead of running in circles — while the ballads have a moody grace and there's the occasional left-field surprise like the sunny, sweet psych-pop gem "Dandelion"; it's the strongest set of songs Cornell has written in a decade. Which is not to say that Out of Exile is without excesses, but they're almost all from guitarist Tom Morello; his playing can still seem laborious, particularly when he clutters single-string riffs with too many notes (the otherwise fine opener, "Your Time Has Come," suffers from this), and his elastic stomp box excursions verge on self-parody on occasion. Still, these are isolated moments on an album that's otherwise lean, hard, strong, and memorable, a record that finds Audioslave coming into its own as a real rock band.

Recent Customer Reviews

BEST
     
by chubz1317

BEST BAND EVER! BEST GUITARIST ON EARTH....TOM MORELLO

Not bad, but I like Rage way better
     
by 61693

Audioslave is the clashing of Rage against the machine (minus Zack de la Rocha) and Soundgarden's Chris Cornell. Audioslave is not bad, but it just isn't a comparison to how much of a bad-a** band Rage was. RATM was and will always be much better than Audioslave. Tom Morello still kicks-a** with Audioslave, but he sounded better with RATM, with Zack de la Rocha's vocals.

AMAZING!
     
by Ktey

This album is awesome!Even though every song is great, my favorites are Yesterday to Tomorrow and The Worm. Morello and Cornell are at the top of their game here, I wish Audioslave was still together.

Biography

Formed: 2001 in Los Angeles, CA

Genre: Alternative

Years Active: '00s

When Zack de la Rocha left Rage Against the Machine in October 2000, the band's future was put into question. Within months rumors flew that ex-Soundgarden frontman Chris Cornell would replace de la Rocha. And gossip fueled truth, for Cornell joined the rest of Rage in the studio in May 2001. The mix...
Full Bio
Out of Exile, Audioslave
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