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Eat, Sleep, Repeat

Copeland

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  Name Artist Time Price  
1
Where's My Head Copeland 2:16 $0.99 View In iTunes
2
Eat, Sleep, Repeat Copeland 5:00 $0.99 View In iTunes
3
Control Freak Copeland 3:49 $0.99 View In iTunes
4
Careful Now Copeland 3:39 $0.99 View In iTunes
5
Love Affair Copeland 5:31 $0.99 View In iTunes
6
I'm Safer On an Airplane Copeland 2:55 $0.99 View In iTunes
7
By My Side Copeland 3:20 $0.99 View In iTunes
8
Cover What You Can Copeland 2:00 $0.99 View In iTunes
9
The Last Time He Saw Dorie Copeland 3:57 $0.99 View In iTunes
10
I'm a Sucker for a Kind Word Copeland 3:52 $0.99 View In iTunes
11
When You Thought You'd Never Stand Out Copeland 5:47 $0.99 View In iTunes

Album Review

Eat, Sleep, Repeat is the third full-length from Florida-based Copeland, and it's their most accomplished record yet. The band continue in the vein of soft and introspective indie rock, as is their specialty, but there is a definite sense of the music being fuller on this album than ever before. And this is a very good thing. Copeland still rely on hushes of piano, light percussion, and gentle strumming to craft each graceful track, but subtle touches, like the added horns on the lovely "Love Affair" and the strings on "I'm a Sucker for a Kind Word," noticeably enhance Eat, Sleep, Repeat's overall effect. Copeland aren't afraid to try out different elements, and their confidence is more than welcome. But despite the elegance and restraint they use to make their point, they're just sometimes so relaxed and unassuming in their approach that songs can easily blur into one long, yawn-inducing track upon initial listens. Don't give up — multiple spins move the record past the blurred, so-soft-it's-boring feeling, and the clouds part to illuminate how truly inviting and pleasant a band Copeland really is. Aaron Marsh's feathery voice has always been borderline effeminate, but he really stands strong on this record, and it's hard to imagine anyone else making a song like the wonderful "When You Thought You'd Never Stand Out" sound so great, especially paired up with the backing female vocals. Elsewhere, the straightforward pop of "Control Freak" stands out as a much more aggressive track for the band (relatively speaking), its anxious piano notes propelling an apprehensive Marsh along, which makes up for cuts like "I'm Safer in an Airplane" that don't really seem to go anywhere at all. With Eat, Sleep, Repeat, Copeland has made a record that doesn't immediately demand attention, but rather one that steadily opens up to the delight of listeners. Anyone in the market for an album for simply sitting back and lounging around, this will put a contented smile on your face in no time at all.

Customer Reviews

Eat and sleep? Sure. Repeat? Well...
     

It seems Copeland's chief concern is never becoming stagnant. They take the opportunity to grow, and grow dangerously, with each album, from 2003's "Beneath Medicine Tree" to last year's "In Motion." With "Eat, Sleep, Repeat," Aaron Marsh and company throw even more of the fluffy filling out of the window, leaving us with beautiful upholstery, but some uncomfortable seats.

Much of the pop sensibility of the last two LPs has been abandoned in favor of more experimental territory. The intelligent listener may be satiated, but the hook-hungry will be left with a small portion size. Even the most straightforward track of the album, "Control Freak," resists any anthemic resonance as Marsh remains low-key, with a repetitious chorus of "you're freaking me out." His lyrics represent a more pessimistic, jaded tone--a long way from being "the brightest little firefly in her jar” of their freshmen disc's opener. " The next track affirms this with a paranoid warning of "careful now, you'll hurt yourself" sung with cautious, clashing half-steps.

Shifts in tone get even crazier as "Love Affair" evolves from a languid piano-laden plea to the closest indie rock will ever come to Barry White's Love Unlimited Orchestra. "I'm Safer on an Airplane" feels like a stray cut from some unrealized Marsh solo project, with a lo-fi drum machine buzzing underneath electric keys.

The last half catches up to a sound that will put Copeland's fiercest fans at ease. Still, it feels like the quartet is taking it easy by this point, resting on the mopey, imbalanced momentum built in the first twenty minutes. "By My Side," "Cover What You Can," "I'm a Sucker for a Kind Word," and the final track all feel familiar, but these cuts hold back from any of the emotional explosions that made for the finest moments on their last album.

A few quotes have compared Copeland’s new direction to Death Cab For Cutie. But, like "Plans" was for me, "Eat, Sleep, Repeat" reaffirms that Copeland should understand foremostly that they are a guitar band. Pianos and strings are pretty, but rarely carry the weight of a rock song as well as a soaring Strat. The fate of this album with depend on Copeland's loyal listeners' willingness to wander into some meloncholy and disconcerting areas, and perhaps forgo singalongs in favor or quiet contemplation.

Eat, Sleep, And Put This CD on Repeat!!!
     

This Cd is is by far one of the best works of art Copeland has yet to make. This new style that Copeland has created is a bit darker and not the same "cowboy rides off into the sunset" lyrics that we are so accustom to hearing. This CD reminds me of something that was inspired by Mute Math's self titled CD. It has the layered electronic sounds that add an underground indie rock feeling to it. If you can't afford to buy the entire CD I recommend "Eat, Sleep, Repeat", "Control Freak", and "When You Thought You'd Never Stand Out."

copeland's back. :)
     

Unlike their album "In Motion", a step toward the mainstream with edgy songs that bordered the indie rock genre, ESR takes a completely different sound. Aaron Marsh has guided the new album about as far from their previous work as possible, while retaining the heart-tugging, emotional songwriting we have come to expect. No longer are Copeland simply emo with a great singer. They have gone a bit experimental this time around, and it will surprise everyone. The female vocals provided by Anna Becker on "I'm Safer On an Airplane" and on the fantastic closer, “When You Thought You’d Never Stand Out,” are a breath of fresh air into this record. Those who want an immensely relaxing, reflective forty-two minutes to themselves cannot find a better album this year than Eat, Sleep, Repeat. Double thumbs up.

Biography

Formed: 2000 in Florida

Genre: Pop

Years Active: '00s

Vocalist Aaron Marsh, bassist James Likeness, guitarist Bryan Laurenson, and drummer Jon Bucklew (formerly of the Christian rock act Denison Marrs) are the members of Copeland, an earnest-sounding alternative rock band that took root in Marsh's home state of Florida in 2000. Maryland native Laurenson and original drummer Rusty Fuller were added to the lineup just in time for the recording of Copeland's first release. Produced by Matt Goldman, who would later go on to helm records for Denison Marrs,...
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Eat, Sleep, Repeat, Copeland
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Customer Ratings

     
130 Ratings

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