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Jazz 'Round Midnight: Sarah Vaughan

Sarah Vaughan

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  Name Artist Time Price  
1
April in Paris Sarah Vaughan 6:22 $0.99 View In iTunes
2
Lover Man (Oh, Where Can You Be?) Sarah Vaughan 3:17 $0.99 View In iTunes
3
I Won't Say I Will (But I Won't Say I Won't) Sarah Vaughan 3:25 $0.99 View In iTunes
4
I'm Glad There Is You (In This World of Ordinary People) Sarah Vaughan 5:10 $0.99 View In iTunes
5
Prelude to a Kiss Sarah Vaughan 2:46 $0.99 View In iTunes
6
Jim Sarah Vaughan 5:52 $0.99 View In iTunes
7
My Man Sarah Vaughan 3:52 $0.99 View In iTunes
8
(I'm Afraid) The Masquerade Is Over Sarah Vaughan 3:29 $0.99 View In iTunes
9
It's Easy to Remember Sarah Vaughan 2:46 $0.99 View In iTunes
10
But Not for Me Harold Mooney, Quincy Jones and His Orchestra & Sarah Vaughan 3:26 $0.99 View In iTunes
11
Darn That Dream Sarah Vaughan 3:50 $0.99 View In iTunes
12
I'll Never Smile Again Sarah Vaughan 2:34 $0.99 View In iTunes
13
Smoke Gets in Your Eyes Sarah Vaughan 3:59 $0.99 View In iTunes
14
September Song Sarah Vaughan 5:45 $0.99 View In iTunes
15
Over the Rainbow Sarah Vaughan 3:29 $0.99 View In iTunes

Album Review

Joining her equally stunning Compact Jazz entry, Sarah Vaughan's Jazz 'Round Midnight disc makes for a very fine introduction to the singer's extensive catalog. As is the case with the entire 'Round Midnight series, the emphasis here is on the ballad-heavy, after-hours end of the spectrum, which Vaughan handled with the utmost class and skill. The 15 tracks mostly cover her prime '50s and '60s sessions, including combo, strings, and big band dates featuring Clifford Brown, Cannonball Adderley, J.J. Johnson, and top-notch arrangers like Ernie Wilkins and Thad Jones. So, turn down the lights, pour the Remy Martin, and enjoy.

Biography

Born: March, 1924 in Newark, NJ

Genre: Jazz

Years Active: '40s, '50s, '60s, '70s, '80s

Possessor of one of the most wondrous voices of the 20th century, Sarah Vaughan ranked with Ella Fitzgerald and Billie Holiday in the very top echelon of female jazz singers. She often gave the impression that with her wide range, perfectly controlled vibrato, and wide expressive abilities, she could do anything she wanted with her voice. Although not all of her many recordings are essential (give Vaughan a weak song and...
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